{"id":3930,"date":"2025-07-03T08:21:37","date_gmt":"2025-07-03T08:21:37","guid":{"rendered":"https:\/\/www.kyossarte.com\/?page_id=3930"},"modified":"2025-07-21T09:12:12","modified_gmt":"2025-07-21T09:12:12","slug":"book-25","status":"publish","type":"page","link":"https:\/\/www.kyossarte.com\/index.php\/book-25\/","title":{"rendered":"Book-25"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;Header&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;#1a1919&#8243; background_enable_image=&#8221;off&#8221; min_height=&#8221;100vh&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; collapsed=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row column_structure=&#8221;1_2,1_2&#8243; make_equal=&#8221;on&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;||||false|false&#8221; custom_padding=&#8221;6vw||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/www.kyossarte.com\/wp-content\/uploads\/2025\/07\/BS-1-25.jpg&#8221; title_text=&#8221;BS-1-25&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; position_origin_a=&#8221;bottom_right&#8221; max_height_tablet=&#8221;300px&#8221; max_height_phone=&#8221;300px&#8221; max_height_last_edited=&#8221;on|tablet&#8221; custom_margin=&#8221;-6vw|||-25vw|false|false&#8221; custom_margin_tablet=&#8221;0vw|||0vw|false|false&#8221; custom_margin_phone=&#8221;0vw|||0vw|false|false&#8221; custom_margin_last_edited=&#8221;on|tablet&#8221; filter_opacity_tablet=&#8221;100%&#8221; filter_opacity_phone=&#8221;100%&#8221; filter_opacity_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;4vw||||false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;1f09816e-184e-4ce5-a4cf-b39c52c423ca&#8221; text_font=&#8221;Mulish|700|||||||&#8221; text_text_color=&#8221;#FFFFFF&#8221; text_font_size=&#8221;17px&#8221; header_2_font=&#8221;|800|||||||&#8221; header_2_text_color=&#8221;#b8a390&#8243; header_2_font_size=&#8221;53px&#8221; custom_margin=&#8221;||||false|false&#8221; text_font_size_tablet=&#8221;15px&#8221; text_font_size_phone=&#8221;14px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; header_font_size_tablet=&#8221;55px&#8221; header_font_size_last_edited=&#8221;off|desktop&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2 class=\"p1\">.TWO ART DIRECTIONS<\/h2>\n<p>&nbsp;<\/p>\n<p>Simone Pavan &amp; Damiano Miotto<br \/>Due Art Director per due direzioni.<br \/>Percorsi progettuali di due Art Director<br \/>Edizioni Kyoss | 2022 | 274 pagine | Copertina cartonata | Spagnolo, inglese, italiano<\/p>\n<p>\u201cInterminabili dibattiti su ci\u00f2 che dobbiamo trasmettere, su quale vogliamo sia il \u2018percepito\u2019 dal fruitore finale, sui mezzi da utilizzare per far scendere una lacrima di gioia se necessario o per strappare un sorriso anche a chi ha sempre il broncio.<br \/>E quando ci chiedono nello specifico quale sia la nostra professione, quasi non sappiamo cosa rispondere, perch\u00e9 non si tratta di qualcosa di \u2018specifico\u2019: siamo Art Directors\u201d.<br \/>Simone Pavan &amp; Damiano Miotto<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_2,1_2&#8243; make_equal=&#8221;on&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;||||false|false&#8221; custom_padding=&#8221;6vw||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/www.kyossarte.com\/wp-content\/uploads\/2025\/07\/BS-2-25.jpg&#8221; title_text=&#8221;BS-2-25&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; position_origin_a=&#8221;bottom_right&#8221; max_height_tablet=&#8221;300px&#8221; max_height_phone=&#8221;300px&#8221; max_height_last_edited=&#8221;on|tablet&#8221; custom_margin=&#8221;-6vw|||-25vw|false|false&#8221; custom_margin_tablet=&#8221;0vw|||0vw|false|false&#8221; custom_margin_phone=&#8221;0vw|||0vw|false|false&#8221; custom_margin_last_edited=&#8221;on|tablet&#8221; filter_opacity_tablet=&#8221;100%&#8221; filter_opacity_phone=&#8221;100%&#8221; filter_opacity_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;4vw||||false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;1f09816e-184e-4ce5-a4cf-b39c52c423ca&#8221; text_font=&#8221;Mulish|700|||||||&#8221; text_text_color=&#8221;#FFFFFF&#8221; text_font_size=&#8221;17px&#8221; header_2_font=&#8221;|800|||||||&#8221; header_2_text_color=&#8221;#b8a390&#8243; header_2_font_size=&#8221;53px&#8221; custom_margin=&#8221;||||false|false&#8221; text_font_size_tablet=&#8221;15px&#8221; text_font_size_phone=&#8221;14px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; header_font_size_tablet=&#8221;55px&#8221; header_font_size_last_edited=&#8221;off|desktop&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2 class=\"p1\">.Paola Orsolon<\/h2>\n<p>&nbsp;<\/p>\n<p>Restauro e conservazione delle Opere d\u2019Arte<br \/>I principali restauri eseguiti da Paola Orsolon con il suo staff<br \/>Edizioni Kyoss | 2025 | 100 pagine | Copertina flessibile | Italiano, inglese<\/p>\n<p>\u201cIl restauro \u00e8 un\u2019attivit\u00e0 legata alla manutenzione, al recupero, al ripristino e alla conservazione delle opere d\u2019arte, dei beni culturali, dei monumenti e in generale dei manufatti storici, quali ad esempio, un manoscritto, un dipinto, un oggetto, qualsiasi esso sia, al quale venga riconosciuto un particolare valore. Cesare Brandi nella sua Teoria del Restauro afferma che il restauro \u00e8 il momento metodologico del riconoscimento<br \/>dell\u2019opera d\u2019arte, nella sua consistenza fisica e nella sua duplice polarit\u00e0 estetica e storica, in vista della trasmissione al futuro, aggiungendo che si restaura solo la materia dell\u2019opera d\u2019arte\u201d.<br \/>Paola Orsolon<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_2,1_2&#8243; make_equal=&#8221;on&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;||||false|false&#8221; custom_padding=&#8221;6vw||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/www.kyossarte.com\/wp-content\/uploads\/2025\/07\/BS-3-25.jpg&#8221; title_text=&#8221;BS-3-25&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; position_origin_a=&#8221;bottom_right&#8221; max_height_tablet=&#8221;300px&#8221; max_height_phone=&#8221;300px&#8221; max_height_last_edited=&#8221;on|tablet&#8221; custom_margin=&#8221;-6vw|||-25vw|false|false&#8221; custom_margin_tablet=&#8221;0vw|||0vw|false|false&#8221; custom_margin_phone=&#8221;0vw|||0vw|false|false&#8221; custom_margin_last_edited=&#8221;on|tablet&#8221; filter_opacity_tablet=&#8221;100%&#8221; filter_opacity_phone=&#8221;100%&#8221; filter_opacity_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;4vw||||false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;1f09816e-184e-4ce5-a4cf-b39c52c423ca&#8221; text_font=&#8221;Mulish|700|||||||&#8221; text_text_color=&#8221;#FFFFFF&#8221; text_font_size=&#8221;17px&#8221; header_2_font=&#8221;|800|||||||&#8221; header_2_text_color=&#8221;#b8a390&#8243; header_2_font_size=&#8221;53px&#8221; custom_margin=&#8221;||||false|false&#8221; text_font_size_tablet=&#8221;15px&#8221; text_font_size_phone=&#8221;14px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; header_font_size_tablet=&#8221;55px&#8221; header_font_size_last_edited=&#8221;off|desktop&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2 class=\"p1\">.Kyoss Collection<\/h2>\n<p>&nbsp;<\/p>\n<p>Arte | Forma &#8211; Riforma &#8211; Trasfigurazione<br \/>Riflessioni, dibattiti, reportage e interviste sull\u2019Arte.<br \/>Edizioni Kyoss | 2021 | 384 pagine | Copertina cartonata | Italiano, inglese<\/p>\n<p>\u201cLo \u2018specimen\u2019 forte di Kyoss Opera 1, \u00e8 la vistosit\u00e0 estetica e visionaria della riproduzione fotografica delle opere, che, grazie alla entit\u00e0 magica delle forme, punta alla sublimazione immaginaria della figurazione e quasi ad una seconda trasfigurazione dell\u2019azione riproduttiva. \u00c8 quasi un ipersenso, l\u2019effetto di una simbolizzazione esaltante della propriet\u00e0 artistica dell\u2019opera, che, nella distribuzione degli spazi e nella eccellenza delle misure ottiche e delle intonazioni cromatiche, partecipa alla formalizzazione estetica e all\u2019idea concettuale<br \/>dell\u2019opera\u201d.<br \/>Salvatore Fazia<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_2,1_2&#8243; make_equal=&#8221;on&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;||||false|false&#8221; custom_padding=&#8221;6vw||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/www.kyossarte.com\/wp-content\/uploads\/2025\/07\/BS-4-25.jpg&#8221; title_text=&#8221;BS-4-25&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; position_origin_a=&#8221;bottom_right&#8221; max_height_tablet=&#8221;300px&#8221; max_height_phone=&#8221;300px&#8221; max_height_last_edited=&#8221;on|tablet&#8221; custom_margin=&#8221;-6vw|||-25vw|false|false&#8221; custom_margin_tablet=&#8221;0vw|||0vw|false|false&#8221; custom_margin_phone=&#8221;0vw|||0vw|false|false&#8221; custom_margin_last_edited=&#8221;on|tablet&#8221; filter_opacity_tablet=&#8221;100%&#8221; filter_opacity_phone=&#8221;100%&#8221; filter_opacity_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;4vw||||false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;1f09816e-184e-4ce5-a4cf-b39c52c423ca&#8221; text_font=&#8221;Mulish|700|||||||&#8221; text_text_color=&#8221;#FFFFFF&#8221; text_font_size=&#8221;17px&#8221; header_2_font=&#8221;|800|||||||&#8221; header_2_text_color=&#8221;#b8a390&#8243; header_2_font_size=&#8221;53px&#8221; custom_margin=&#8221;||||false|false&#8221; text_font_size_tablet=&#8221;15px&#8221; text_font_size_phone=&#8221;14px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; header_font_size_tablet=&#8221;55px&#8221; header_font_size_last_edited=&#8221;off|desktop&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2 class=\"p1\"><\/h2>\n<h2 class=\"p1\">.TBWH magazine<\/h2>\n<p>&nbsp;<\/p>\n<p>Pubblicazione di Arte e Architettura<br \/>Riflessioni, dibattiti, reportage e interviste sull\u2019Architettura.<br \/>Edizioni Kyoss | 2025 | 146 pagine | Copertina flessibile | Italiano, inglese<\/p>\n<p>Riflessioni d\u2019architettura, Il Wuxi Grand Theatre Cina in the future, Mario Botta. Rifugio di montagna, Vitruvio e Palladio Tempio della Concordia, Teatro Olimpico. Il Mondo Classico, Reserve Salento un Resort di classe, Cleto Munari Designer dei<br \/>colori, Sebastian Herkner Designer pluripremiato, Giorgio Caporaso Design must been green, Illuminazione in spazi aperti, Fonti di Energia Fotovoltaico e Geotermico,<br \/>Renzo Piano Un lavoro antico, Koen Olthius L\u2019olandese galleggiante, Damien Hirst Dissacrante e provocatorio, Mustafa Sabbagh Armonia dell\u2019imperfezione.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_2,1_2&#8243; make_equal=&#8221;on&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;||||false|false&#8221; custom_padding=&#8221;6vw||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/www.kyossarte.com\/wp-content\/uploads\/2025\/07\/BS-5-25.jpg&#8221; title_text=&#8221;BS-5-25&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; position_origin_a=&#8221;bottom_right&#8221; max_height_tablet=&#8221;300px&#8221; max_height_phone=&#8221;300px&#8221; max_height_last_edited=&#8221;on|tablet&#8221; custom_margin=&#8221;-6vw|||-25vw|false|false&#8221; custom_margin_tablet=&#8221;0vw|||0vw|false|false&#8221; custom_margin_phone=&#8221;0vw|||0vw|false|false&#8221; custom_margin_last_edited=&#8221;on|tablet&#8221; filter_opacity_tablet=&#8221;100%&#8221; filter_opacity_phone=&#8221;100%&#8221; filter_opacity_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;4vw||||false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;1f09816e-184e-4ce5-a4cf-b39c52c423ca&#8221; text_font=&#8221;Mulish|700|||||||&#8221; text_text_color=&#8221;#FFFFFF&#8221; text_font_size=&#8221;17px&#8221; header_2_font=&#8221;|800|||||||&#8221; header_2_text_color=&#8221;#b8a390&#8243; header_2_font_size=&#8221;53px&#8221; custom_margin=&#8221;||||false|false&#8221; text_font_size_tablet=&#8221;15px&#8221; text_font_size_phone=&#8221;14px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; header_font_size_tablet=&#8221;55px&#8221; header_font_size_last_edited=&#8221;off|desktop&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2 class=\"p1\">.Antoon Van Dyck<\/h2>\n<p>&nbsp;<\/p>\n<p>Dossier | Saint Georges et la Dragon<br \/>Tutta la documentazione e le analisi di un\u2019opera di Antoon Van Dyck<br \/>Edizioni Kyoss | 2020 | 130 pagine | Copertina cartonata | Italiano, inglese<\/p>\n<p>Dossier completo di un \u201cSaint Georges et le Dragon\u201d attribuito a Antoon Van Dyck.<br \/>Expertise, immagini e dettagli, condition report, analisi chimico fisiche, radiografie, riflettometrie, fluorescenza ultravioletta e pubblicazioni, comparazioni con analisi di altre opere dello stesso artista. Tutti gli elementi per una attribuzione.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_2,1_2&#8243; make_equal=&#8221;on&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;||||false|false&#8221; custom_padding=&#8221;6vw||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/www.kyossarte.com\/wp-content\/uploads\/2025\/07\/BS-6-25.jpg&#8221; title_text=&#8221;BS-6-25&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; position_origin_a=&#8221;bottom_right&#8221; max_height_tablet=&#8221;300px&#8221; max_height_phone=&#8221;300px&#8221; max_height_last_edited=&#8221;on|tablet&#8221; custom_margin=&#8221;-6vw|||-25vw|false|false&#8221; custom_margin_tablet=&#8221;0vw|||0vw|false|false&#8221; custom_margin_phone=&#8221;0vw|||0vw|false|false&#8221; custom_margin_last_edited=&#8221;on|tablet&#8221; filter_opacity_tablet=&#8221;100%&#8221; filter_opacity_phone=&#8221;100%&#8221; filter_opacity_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;4vw||||false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;1f09816e-184e-4ce5-a4cf-b39c52c423ca&#8221; text_font=&#8221;Mulish|700|||||||&#8221; text_text_color=&#8221;#FFFFFF&#8221; text_font_size=&#8221;17px&#8221; header_2_font=&#8221;|800|||||||&#8221; header_2_text_color=&#8221;#b8a390&#8243; header_2_font_size=&#8221;53px&#8221; custom_margin=&#8221;||||false|false&#8221; text_font_size_tablet=&#8221;15px&#8221; text_font_size_phone=&#8221;14px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; header_font_size_tablet=&#8221;55px&#8221; header_font_size_last_edited=&#8221;off|desktop&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2 class=\"p1\">.Mondi Paralleli<\/h2>\n<p>&nbsp;<\/p>\n<p>Andrea Schettin Fotografo Urbex<br \/>Una forma d\u2019arte che consiste nell\u2019esplorare e<br \/>fotografare luoghi costruiti dall\u2019uomo e abbandonati a s\u00e9 stessi.<br \/>Edizioni Kyoss | 2023 | 100 pagine | Copertina cartonata | Italiano, inglese<\/p>\n<p>La fotografia e la documentazione storica sono ingredienti essenziali per Andrea Schettin, fotografo vicentino, che vanta pi\u00f9 di trecento collezioni fotografiche eseguite in vari luoghi del pianeta. Inizia il suo percorso fotografico negli anni \u201980, definendo il suo stile nel 2015 quando in un\u2019infiltrazione, in un vecchio lanificio, ha avuto la percezione esatta di viaggiare in un \u201cmondo che ha avuto un altro tempo\u201d.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_2,1_2&#8243; make_equal=&#8221;on&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;||||false|false&#8221; custom_padding=&#8221;6vw||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/www.kyossarte.com\/wp-content\/uploads\/2025\/07\/BS-7-25.jpg&#8221; title_text=&#8221;BS-7-25&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; position_origin_a=&#8221;bottom_right&#8221; max_height_tablet=&#8221;300px&#8221; max_height_phone=&#8221;300px&#8221; max_height_last_edited=&#8221;on|tablet&#8221; custom_margin=&#8221;-6vw|||-25vw|false|false&#8221; custom_margin_tablet=&#8221;0vw|||0vw|false|false&#8221; custom_margin_phone=&#8221;0vw|||0vw|false|false&#8221; custom_margin_last_edited=&#8221;on|tablet&#8221; filter_opacity_tablet=&#8221;100%&#8221; filter_opacity_phone=&#8221;100%&#8221; filter_opacity_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;4vw||||false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;1f09816e-184e-4ce5-a4cf-b39c52c423ca&#8221; text_font=&#8221;Mulish|700|||||||&#8221; text_text_color=&#8221;#FFFFFF&#8221; text_font_size=&#8221;17px&#8221; header_2_font=&#8221;|800|||||||&#8221; header_2_text_color=&#8221;#b8a390&#8243; header_2_font_size=&#8221;53px&#8221; custom_margin=&#8221;||||false|false&#8221; text_font_size_tablet=&#8221;15px&#8221; text_font_size_phone=&#8221;14px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; header_font_size_tablet=&#8221;55px&#8221; header_font_size_last_edited=&#8221;off|desktop&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2 class=\"p1\">.LMH magazine<\/h2>\n<p>&nbsp;<\/p>\n<p>Pubblicazione di Arte e Architettura<br \/>Riflessioni, dibattiti, reportage e interviste sull\u2019Architettura.<br \/>Edizioni Kyoss | 2023 | 186 pagine | Copertina flessibile | Italiano, inglese<\/p>\n<p>Progetti e Poesia, Riflessioni d\u2019architettura, Il Wuxi Grand Theatre Cina in the future, Mario Botta Rifugio di montagna, Vitruvio e Palladio Tempio della Concordia, Teatro Olimpico Il Mondo Classico, Reserve Salento un Resort di classe, Cleto Munari Designer dei colori, Sebastian Herkner Designer pluripremiato, Giorgio Caporaso Design must been green, Illuminazione in spazi aperti, Fonti di Energia Fotovoltaico e Geotermico, Renzo Piano Un lavoro antico, Koen Olthius L\u2019olandese galleggiante, Damien Hirst Dissacrante e provocatorio, Mustafa Sabbagh Armonia dell\u2019imperfezione.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_2,1_2&#8243; make_equal=&#8221;on&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;||||false|false&#8221; custom_padding=&#8221;6vw||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/www.kyossarte.com\/wp-content\/uploads\/2025\/07\/BS-8-25-1.jpg&#8221; title_text=&#8221;BS-8-25&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; position_origin_a=&#8221;bottom_right&#8221; max_height_tablet=&#8221;300px&#8221; max_height_phone=&#8221;300px&#8221; max_height_last_edited=&#8221;on|tablet&#8221; custom_margin=&#8221;-6vw|||-25vw|false|false&#8221; custom_margin_tablet=&#8221;0vw|||0vw|false|false&#8221; custom_margin_phone=&#8221;0vw|||0vw|false|false&#8221; custom_margin_last_edited=&#8221;on|tablet&#8221; filter_opacity_tablet=&#8221;100%&#8221; filter_opacity_phone=&#8221;100%&#8221; filter_opacity_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;4vw||||false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;1f09816e-184e-4ce5-a4cf-b39c52c423ca&#8221; text_font=&#8221;Mulish|700|||||||&#8221; text_text_color=&#8221;#FFFFFF&#8221; text_font_size=&#8221;17px&#8221; header_2_font=&#8221;|800|||||||&#8221; header_2_text_color=&#8221;#b8a390&#8243; header_2_font_size=&#8221;53px&#8221; custom_margin=&#8221;||||false|false&#8221; text_font_size_tablet=&#8221;15px&#8221; text_font_size_phone=&#8221;14px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; header_font_size_tablet=&#8221;55px&#8221; header_font_size_last_edited=&#8221;off|desktop&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2 class=\"p1\">.Villa Palladiana Aurea<\/h2>\n<p>&nbsp;<\/p>\n<p>Pubblicazione di Architettura e Interior Design<br \/>Chiodelli Arte<br \/>Pubblicazione Kyoss | 2023 | 100 pagine | Copertina cartonata<br \/>Italiano, inglese<\/p>\n<p>Dossier su una villa, capolavoro di lusso e raffinatezza. Nel cuore della prestigiosa ed esclusiva zona residenziale di Mosca sorge una villa che rappresenta l\u2019apice dell\u2019eleganza classica e della maestria artigianale.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_2,1_2&#8243; make_equal=&#8221;on&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;||||false|false&#8221; custom_padding=&#8221;6vw||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/www.kyossarte.com\/wp-content\/uploads\/2025\/07\/BS-9-25.jpg&#8221; title_text=&#8221;BS-9-25&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; position_origin_a=&#8221;bottom_right&#8221; max_height_tablet=&#8221;300px&#8221; max_height_phone=&#8221;300px&#8221; max_height_last_edited=&#8221;on|tablet&#8221; custom_margin=&#8221;-6vw|||-25vw|false|false&#8221; custom_margin_tablet=&#8221;0vw|||0vw|false|false&#8221; custom_margin_phone=&#8221;0vw|||0vw|false|false&#8221; custom_margin_last_edited=&#8221;on|tablet&#8221; filter_opacity_tablet=&#8221;100%&#8221; filter_opacity_phone=&#8221;100%&#8221; filter_opacity_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;4vw||||false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;1f09816e-184e-4ce5-a4cf-b39c52c423ca&#8221; text_font=&#8221;Mulish|700|||||||&#8221; text_text_color=&#8221;#FFFFFF&#8221; text_font_size=&#8221;17px&#8221; header_2_font=&#8221;|800|||||||&#8221; header_2_text_color=&#8221;#b8a390&#8243; header_2_font_size=&#8221;53px&#8221; custom_margin=&#8221;||||false|false&#8221; text_font_size_tablet=&#8221;15px&#8221; text_font_size_phone=&#8221;14px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; header_font_size_tablet=&#8221;55px&#8221; header_font_size_last_edited=&#8221;off|desktop&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2 class=\"p1\">.Paola Orsolon<\/h2>\n<p>&nbsp;<\/p>\n<p class=\"p1\">Restauro e conservazione delle Opere d\u2019Arte<br \/>I principali restauri eseguiti da Paola Orsolon con il suo staff<br \/>Edizioni Kyoss | 2020 | 84 pagine | Copertina cartonata | Italiano, inglese<\/p>\n<p class=\"p2\">Indagini e ricerche, dipinti su tela, affreschi e dipinti a calce, marmi e pietre, stucchi, bronzi e metalli, sculture in legno. Un dossier sugli interventi di restauro eseguiti da Paola Orsolon, con immagini di prima e dopo i restauri<span style=\"font-size: 17px;\">.<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_2,1_2&#8243; make_equal=&#8221;on&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;||||false|false&#8221; custom_padding=&#8221;6vw||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/www.kyossarte.com\/wp-content\/uploads\/2025\/07\/BS-10-25.jpg&#8221; title_text=&#8221;BS-10-25&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; position_origin_a=&#8221;bottom_right&#8221; max_height_tablet=&#8221;300px&#8221; max_height_phone=&#8221;300px&#8221; max_height_last_edited=&#8221;on|tablet&#8221; custom_margin=&#8221;-6vw|||-25vw|false|false&#8221; custom_margin_tablet=&#8221;0vw|||0vw|false|false&#8221; custom_margin_phone=&#8221;0vw|||0vw|false|false&#8221; custom_margin_last_edited=&#8221;on|tablet&#8221; filter_opacity_tablet=&#8221;100%&#8221; filter_opacity_phone=&#8221;100%&#8221; filter_opacity_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;4vw||||false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;1f09816e-184e-4ce5-a4cf-b39c52c423ca&#8221; text_font=&#8221;Mulish|700|||||||&#8221; text_text_color=&#8221;#FFFFFF&#8221; text_font_size=&#8221;17px&#8221; header_2_font=&#8221;|800|||||||&#8221; header_2_text_color=&#8221;#b8a390&#8243; header_2_font_size=&#8221;53px&#8221; custom_margin=&#8221;||||false|false&#8221; text_font_size_tablet=&#8221;15px&#8221; text_font_size_phone=&#8221;14px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; header_font_size_tablet=&#8221;55px&#8221; header_font_size_last_edited=&#8221;off|desktop&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2 class=\"p1\">.Gek Folley<\/h2>\n<p>&nbsp;<\/p>\n<p>ASHION, MYTHS, STYLE, MUSIC<br \/>Edizioni Kyoss | 2014 | 100 pagine | Copertina flessibile | Italiano<\/p>\n<p>\u201cVerba volant, scripta manent\u201d dicevano i latini. Nel nostro caso , la voglia \u00e8 quella di conservare una visione positiva delle cose e di continuare a fotografare il nostro tempo, con il preciso intento di lasciarne traccia. Ecco appunto un nuovo documento, una raccolta di articoli scritti da Gek Folley alias Gelindo Pretto. Immagini e riflessioni su fashion, myths, style e music.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_2,1_2&#8243; make_equal=&#8221;on&#8221; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;||||false|false&#8221; custom_padding=&#8221;6vw||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/www.kyossarte.com\/wp-content\/uploads\/2025\/07\/BS-11-25-1.jpg&#8221; title_text=&#8221;BS-11-25&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; position_origin_a=&#8221;bottom_right&#8221; max_height_tablet=&#8221;300px&#8221; max_height_phone=&#8221;300px&#8221; max_height_last_edited=&#8221;on|tablet&#8221; custom_margin=&#8221;-6vw|||-25vw|false|false&#8221; custom_margin_tablet=&#8221;0vw|||0vw|false|false&#8221; custom_margin_phone=&#8221;0vw|||0vw|false|false&#8221; custom_margin_last_edited=&#8221;on|tablet&#8221; filter_opacity_tablet=&#8221;100%&#8221; filter_opacity_phone=&#8221;100%&#8221; filter_opacity_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.17.4&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;4vw||||false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;1f09816e-184e-4ce5-a4cf-b39c52c423ca&#8221; text_font=&#8221;Mulish|700|||||||&#8221; text_text_color=&#8221;#FFFFFF&#8221; text_font_size=&#8221;17px&#8221; header_2_font=&#8221;|800|||||||&#8221; header_2_text_color=&#8221;#b8a390&#8243; header_2_font_size=&#8221;53px&#8221; custom_margin=&#8221;||||false|false&#8221; text_font_size_tablet=&#8221;15px&#8221; text_font_size_phone=&#8221;14px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; header_font_size_tablet=&#8221;55px&#8221; header_font_size_last_edited=&#8221;off|desktop&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2 class=\"p1\">.Scripta Manent<\/h2>\n<p>&nbsp;<\/p>\n<p>Le migliori interviste dei primi dieci anni di Kyoss<br \/>Edizioni Kyoss | 2010 | 232 pagine | Copertina cartonata | Italiano<\/p>\n<p>\u201cAbbiamo le prove. Ma, niente paura: nessun delitto perfetto, nessun intrigo internazionale, nessun 007 in agguato. Solo il piacere di un innocente allegro florilegio di parole in libert\u00e0, ripescate qua e l\u00e0 \u201cnero su bianco\u201d sfogliando tra le pagine scritte dei primi dieci anni di vita di Kyoss. Leggero, patinato, un po\u2019 trendy e un po\u2019 classico, agile e disinvolto come un lampo di flash, curioso e divertente, talvolta anche pensoso. Attento a una fruizione \u201cnomade\u201d oltre che veloce dei contenuti, ma con occhio sempre attento alla qualit\u00e0 e allo stile. Abbiamo raccolto il meglio dei nostri articoli in questo magazine speciale per festeggiare insieme ai lettori il nostro compleanno\u201d.<br \/>Floriana Donati<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;#000000&#8243; custom_margin=&#8221;||0px||false|false&#8221; custom_padding=&#8221;||0px||false|false&#8221; saved_tabs=&#8221;all&#8221; global_colors_info=&#8221;{}&#8221; global_module=&#8221;3975&#8243; theme_builder_area=&#8221;post_content&#8221;][et_pb_row _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;||0px||false|false&#8221; custom_padding=&#8221;||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;]<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.kyossarte.com\/wp-content\/uploads\/2025\/05\/kyoss_logo_rosa_bianco-300x110.jpg\" width=\"144\" height=\"53\" alt=\"\" class=\"wp-image-3772 size-medium\" srcset=\"https:\/\/www.kyossarte.com\/wp-content\/uploads\/2025\/05\/kyoss_logo_rosa_bianco-300x110.jpg 300w, https:\/\/www.kyossarte.com\/wp-content\/uploads\/2025\/05\/kyoss_logo_rosa_bianco.jpg 471w\" sizes=\"(max-width: 144px) 100vw, 144px\" \/><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_3,1_3,1_3&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||||false|false&#8221; custom_padding=&#8221;0px||||false|false&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;0px||||false|false&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; text_text_color=&#8221;#FFFFFF&#8221; custom_margin=&#8221;0px||||false|false&#8221; custom_padding=&#8221;0px||||false|false&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;]<\/p>\n<p class=\"p1\">Magazine of Art and Culture<br \/>Registry: N-1002-28\/05\/2001 Vicenza Italy<br \/>P.IVA 123456789<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;0px||||false|false&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||||false|false&#8221; custom_padding=&#8221;0px||||false|false&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;]<\/p>\n<p class=\"p1\"><span style=\"color: #ffffff;\"><a href=\"mailto:info@kyossarte.com\" style=\"color: #ffffff;\">info@kyossarte.com<\/a><\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;0px||||false|false&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||||false|false&#8221; custom_padding=&#8221;0px||||false|false&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;]<\/p>\n<p class=\"p1\"><span style=\"color: #ffffff;\"><a href=\"https:\/\/kyossarte.com\/privacy-policy\" style=\"color: #ffffff;\">privacy policy<\/a><br \/><a href=\"https:\/\/kyossarte.com\/cookie-policy\" style=\"color: #ffffff;\">cookie policy<\/a><\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>.TWO ART DIRECTIONS &nbsp; Simone Pavan &amp; Damiano MiottoDue Art Director per due direzioni.Percorsi progettuali di due Art DirectorEdizioni Kyoss | 2022 | 274 pagine | Copertina cartonata | Spagnolo, inglese, italiano \u201cInterminabili dibattiti su ci\u00f2 che dobbiamo trasmettere, su quale vogliamo sia il \u2018percepito\u2019 dal fruitore finale, sui mezzi da utilizzare per far scendere [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-3930","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.kyossarte.com\/index.php\/wp-json\/wp\/v2\/pages\/3930","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kyossarte.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.kyossarte.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.kyossarte.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kyossarte.com\/index.php\/wp-json\/wp\/v2\/comments?post=3930"}],"version-history":[{"count":8,"href":"https:\/\/www.kyossarte.com\/index.php\/wp-json\/wp\/v2\/pages\/3930\/revisions"}],"predecessor-version":[{"id":3985,"href":"https:\/\/www.kyossarte.com\/index.php\/wp-json\/wp\/v2\/pages\/3930\/revisions\/3985"}],"wp:attachment":[{"href":"https:\/\/www.kyossarte.com\/index.php\/wp-json\/wp\/v2\/media?parent=3930"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}